Daily Archive: December 12, 2017

Sages

Sages from Orangeville, Ontario describes her music as “emo dream pop.” She just put out this video for “Heartache Is,” directed by Sara May, which features a bunch of trippy slow-motion rituals taking place deep in the mystic forest.

Sages has been busy… in the time it took me to receive her interview answers and create this blog post, she shared a whole other brand new video. This comes via Sidewalk Hustle. It features guest voice by Fresh Flesh and some sweet trippy 3D animated orbiting blobs and textures courtesy of Bile Sister from Toronto. This track is a slice of technology-induced paranoia featuring an 808 beat overlaid with spooky synths and digital distortions.

How would you describe your sound to someone who’s never heard you before?
I would say my sound is innocent, introspective and whimsical. Its soft and gritty all at the same time. I like to over reverb my vocals and some of the synths to create a drone-like effect, I find chaotic noise and muddled sounds comforting.

What gear/software/techniques did you use in making this recording?
This song is one of nine from my upcoming album called ‘How To Fill It’. I was inspired by an event where a friend and myself locked ourselves in an apartment for 3 days and just wrote and recorded off the cuff without much editing and I loved the results. It was very raw and real and that what I wanted to make for this album. I only used the intro version of Ableton, a MiniKorg Xl and my voice. I didn’t want to use VSTs and MIDI, I really wanted less control of the outcome. One technique I used a lot was an airpusher effect on the background vocals making them rhythmic and glitchy.

What mood or mental state do you hope to evoke in the listener with this music?
I would say that my intention is to create an ethereal dimension, where the listener can empathize or relate to my introspective thoughts, maybe a sense of curiosity and amusement as well.

Sages links:
https://sagessound.bandcamp.com/
https://www.facebook.com/sagessound/
https://soundcloud.com/sagessound

Doot Dedoot – “Syncromesh”

It’s an exciting time in the Saint John electronic music scene because Doot Dedoot has finally released his debut album, “Syncromesh.” It sounds awesome and if you love ’80s-style synth jams it was definitely worth the wait.
Doot Dedoot is also known as Jack Lepper. He won DJ Of The Year at the last Party Sauce Awards under his vinyl-slinging persona, DJ Jack Buster.

How would you describe your sound to someone who’s never heard you before?
Well, I love hardware synthesizers, sequencers, and drum machines. With the doot/dedoot project, I set about getting as much out of my hardware as I could. It’s probably not surprising that using those machines lead to music that harks back to my youth as my music has a definite 80s vibe to it. Lots of lush chords, sparkly arpegiators, and slightly mechanical drums.

What gear/software/techniques did you use in making this recording?
Lots of different stuff. Synths on this album include classics like the Oberhiem Matrix 6 and Yamaha DX7, 90s syths like the Roland JP8000 and MicroKorg, and modern stuff like the Waldorf Blofeld and the Korg Volca Bassline & FM. Drums come from the Alesis HR-16B, Yamaha RX-5, and Akai XR-10. Finally, everything was sequenced through an Alesis MMT8 and tracked using an ancient copy of Cubase SX3.

What mood or mental state do you hope to evoke in the listener with this music?
“Syncromesh” became a concept album about driving. It occurred to me that nobody really writes driving songs anymore, so I set out to write songs for, and about, the car. Hopefully, I’ve captured the sorts of experiences we all have when we’re behind the wheel of our favourite automobile.

Contact Doot Dedoot:
facebook.com/dootdedooty/
https://soundcloud.com/doot-dedoot
https://www.orfium.com/profile/doot.dedoot/
https://dootdedoot.bandcamp.com